Wednesday, May 27, 2009
Aris Asks Cully Hamner
Wednesday, May 13, 2009
Aris Asks Jefferson l.o.b. Sergeant
1. Where are you from and what do you do?
I'm from Brooklyn NY and I am a teacher as well as a noted authority on comicbook canon.
2. Earliest comic book memories?
My earliest memory would be driving with my Father to Sheepshead Bay from Flatbush to Silver Star Collectibles to have my first LCS experience at about 6. It was incredible being surrounded by so many comics and it was the early 80's so comics from the Silver and Golden Age were relatively cheap and I was lucky enough to get several of them.
3. What were the books or characters that initially got you into comics?
Batman, Captain Marvel and Superman. This is the true Trinity for me as you have human perfection in the form of Batman, the ultimate wish fulfillment character in Captain Marvel and the archetype for all Superheroes in Superman.
4. In those early days what were some of the other things that may have been shaping your love of comics(cartoons?, movies? books?)?
Nostalgia gets the better of us all but the eighties were truly the golden age for Geekdom.There was Kung-Fu theater every Saturday and those Shaw Bros. movies inspired my interest into Shang-Chi and Iron Fist. Robotech, Voltron and Battle Of The Planets were my gateway drug into anime and you had all of the great sci-fi epics coming out in film.
Yeah, if you are not a child of the eighties you are truly a victim.
5. What were your favorite comics growing up?
There were so many.
Avengers, Thor, Teen Titans, Captain America, JLA, I will make this easier.Basically you can take the Marvel and DC Checklist from the 80's and drop Dazzler from the roster and I pretty much enjoyed all of it.
The creativity and diversity of the period with Moore, Miller, Simonson, Wolfman, Stern, Starlin etc. all putting out masterpieces month after month was an absolute dream.
6. Do any creators stand out during the early days of reading comics that you think cemented your love for the genre?While it becomes increasingly hard to appreciate his greatness given the Bad Byrne stories, John Byrne cemented my love for comics.
Byrne is the consummate professional, you go back and look at his work on UNCANNY, AVENGERS, FANTASTIC FOUR, SUPERMAN etc. and he never dropped an inch in quality month after month. As a fan you felt assured that you would go to the LCS or newstand and Byrne's work would be there.
When I think of the quality of work being put out by people like Simonson, Starlin, Layton, Chaykin, Miller and Moore during that period and compare it to guys today who can't even get a mini-series out on a time, I have a whole new appreciation of their talents.
7. When did you fall in love with Legion of Super-heroes?
I bought a digest sized best of the LSH stories in 84 I think and that was it. The great thing about the LSH is the canon. When I read the digest I immediately started going backwards and there was just great stories everywhere from Shooter who was a kid himself writing those clasics and of course Levitz and Giffen who put their stamp on the title.8. What do you think is the best LoSH story ever?
That is tough. So in the spirit of certain members of the SFL I will CHEAT!!!!
Death of Karate Kid- This is a perfect comic. Ther artwork was striking, the storytelling was visceral and it holds up every time I read it. It is one of the best deaths in comics ever.
Great Darkness Saga- The Time Trapper is the arch-nemesis of the LSH but Darkseid pushed them into a whole different zone. This is where we get the creators at their best as they have the characters down cold and everything feels right.
Legion of Three Worlds- Johns+Perez+LSH = classic. While I like the complexity of people like Morrison, John's take on the LSH is the straight action blockbuster that works.
9. Are you enjoying Legion of 3 Worlds?
I am enjoying it immensely! Its the book that the new LSH series should be modeled after.10. What is it with you and Thunder?
Thunder is a Marvel and because of that she is part of the family.
11. You also love DC's Captain Marvel, why?Its magic, myth and wish fulfillment all in one. With one magic word a boy becomes one of the most powerful beings in the universe. The origin is one of the best in fiction and with Black Adam you have the wizard trying to gain redemption before his death in the form of Billy.
The Captain Marvel franchise should still be one of the biggest things in comics. I hope the movie and Gaiman can finally elevate the Captain of The Thunder and lightning into a top ten mainstay.
12. Can Captain Marvel beat Superman?OF COURSE HE CAN!!!!!
I am starting to doubt if you have the most comics in Florida after a question like that!
13. What do you think of the current state of the Marvels?
I think it is a glaring failure on the part of DC to allow a goldmine to languish at the helm of incompetence and indifference.
There is no way something like BEN 10 can be a runaway hit and the Marvels can't maintain a monthly.
I'll give Didio this for free.
Go to the DC archives and pull out WORLD'S FINEST with Bridwell and Newton's Captain Marvel. Copy those stories and you will have a hit.
14. Your thoughts on Final Crisis?
Final Crisis was a masterpiece.
Morrison took all the cynicism, angst and crass-commercialism that characterized so many of the other DC event books and replaced it with hope, optimism, meta-physics and the power of Kirby.
When people dismiss Superhero comics as people in "Gimp suits" or spandex clad idiocy they should pick up FINAL CRISIS. It shows the potential that only the superhero genre can achieve in this medium.
Can SCOTT PILGRIM outrace a god-killing bullet? HELL NO HE CAN'T!!!!! +1 FINAL CRISIS
15. What books are you currently reading that stand out above the rest?
Thor- This verges on blasphemy but JMS is entering Simonson territory with his THOR stories.
L03W- Johns and Perez just have the mythos locked down and the exploration of the moral code guiding the LSH is a great foundation for the story.
16. You seem to follow certain creators forums, who are some of your favorites?Hudlin Entertainment Forum- Reginald Hudlin's forum is a great place for diverse conversation and Reggie is always there to talk about the storylines.
Comicbloc- While its a bit stiff, I enjoy the interaction with the fellow fans and Johns enthusiasm is readily apparent in everything he writes.
17. Who wins Steve Rogers Cap or Black Panther?Black Panther is stronger, faster and smarter.
T'Challa wins 7 out of 10. YEAH I SAID IT!!!!!
18. What the heck is L.O.B.?
NEXT QUESTION!!!!!19. Your a pretty vocal team owner in the Millar World Super-hero Fantasy League(Kinda like a Foot ball fantasy league only with SUPERHEROES!!!), do you think the voting is fair?
FAIR, DID YOU SAY FAIR ?
HAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHAHAHA.
Let me say this first, Nathan has created a great game that I enjoy immensely.
The SFL works best when its kind of a free for all where biased can be called out and MOCKED viciously but alays in LOVE. The votes are not fair but thats part of the fun, at least when you can call the voters out.The greatness of the game is the strategy used by the players and the twists Nathan adds. Only in the SFL can you have the Magus taking on the Mighty Bruce. You can't beat that.
20. What is "Black-Thought-Police"?
Black-Thought-Police is a blog where I write about politics and current events. I have been slacking but given the antics of Steele, the RNC and Limbaugh I will be back with a king-size edition very soon.
21. Do you think $3.99 comics will hasten the demise of the floppy and local comic shop(LCS)?
I think tradwaiters, and I am not saying any names here COUGH MO, will hasten the demise of the LCS faster than the 3.99 pricepoint.
If the product is improved people will pay 3.99 the issue now is that the material hasn't improved and there seems to be a blatant disregard for the loyal fanbase by raising prices in this manner.
What I would like to see is for fans to boycott these titles and pick up at least 2 books that need the support instead.
I love comics so if it comes down to that I will. Although, I don't want digital comics as the sole means of getting my fix. I think the LCS ritual is important and can be used as a means of expanding the fanbase.
23. Do you read much creator owned stuff?
Not really.
I find myself getting into people like Morrison who essentially tear everything down and essentially make WFH their creator owned work.
24. Who plays Black Adam in a Captain Marvel movie?
Batista is my first choice and then The Rock.25. All time favorite comic issue or story line?
WATCHMEN.
No one has come even close.
26. Do you think you can take Jim O'hara in a fight?
HAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHA.Please,
O'Hara has a better chance winning against sunlight than he does against me!
Aris Asks Brian Knippenberg
My fourth-grade teacher would call me "Kniffenberg" for the entire year. He also always wrote it down that way too. Needless to say I would get into it with him over it countless times which would always lead me down to the principal’s office. Personally, I think the man was just trying to drive me crazy. Then again, there were only three male teachers in my elementary school and they were all a bit off their rockers. Over the years I’ve heard and seen some crazy iterations (Nipplebert was a fun one), but for the curious the ‘K’ is silent and it sounds out like Nip-En-Berg. It’s a name of German descent.
Lately I’ve been thinking of changing it to En Sabah Nur because it has a rather nice ring to it.
Back in 1978 (I was three years old) my parents would shuffle us from Long Island into Queens often to visit my grandparents and uncle at the 2-story apartment building they owned. My uncle was always a guy who liked to be ahead of the times and bought one of the first VCR’s (not Beta, thankfully) and, later on, a consumer video camera (which fostered my love for filmmaking). Anyway, this VCR was HUGE. It looked like a giant tape recorder that could be sitting on a rooftop in a 50’s Batman comic! My uncle had surprised my brother and I with recorded episodes of the Adam West Batman series, which was the first I had ever seen of such a character. We loved them so much we watched them twice in a row! Our father picked up on our interest and went out and brought back a giant Batman coloring book. What was cool about this coloring book was that it was done in a comic book format. I still have that book today! We were so into the show and the book that my dad took it to the next level and one evening surprised us with a Spider-Man comic book (which I can’t remember) and Detective Comics #477 which featured a reprint of an earlier ‘Tec story, "The House That Haunted Batman".
The cover showed a battle worn Caped Crusader at an open doorway, bats flying right at him from the darkness, and a green-gloved hand
(Robin’s) pointing a loaded gun towards him. From that point on, I was hooked! I would get comics every week from wherever I could find them…spinner racks at newsstands, my first direct market store "Heroes World", then moving onto many other stores and more for 30+ years now.
I mainly lived in Hicksville, Long Island but since I visited my grandparents in Queens so often as a child and then went every weekend after my parents divorced and my dad took over the building with my uncle, I had the best of both worlds…two homes. I was always playing stickball in the streets and street hockey and involved in other sports and then drawing for endless hours on an untold number of drawing tablets or yellow legal pads. And once my uncle had that video camera up and running in mid eighties, it was all about making movies! That was a passion I developed ever since seeing the makings of Star Wars, Raiders of the Lost Ark, and Superman at a very young age.
At a really young age (late 70’s/early 80’s), the standards were Superman, Action Comics, Batman, Detective Comics, Justice League of America, Adventure Comics, Flash, Green Lantern, The New Teen Titans (which blew my little mind away), Amazing Spider-Man, Peter Parker: The Spectacular Spider-Man, Captain America, Incredible Hulk, Fantastic Four, Avengers, ROM: Spaceknight, and Micronauts. I was also a huge fan of the team-up titles…DC Comics Presents, Brave & the Bold, Marvel Team-Up and Marvel Two-In-One. Of course, a bit later were greats like G.I. Joe and Transformers (to a degree).
I do remember certain writers’ names and knew that those particular guys (Marv Wolfman, Len Wein, Bill Mantlo, etc.) wrote great stories then but I was always drawn to the art. The first artist whose style I recognized was George Perez. Even back then he was amazing with every page drawn. Then there was Jose Luis Garcia Lopez, John Byrne, Bernie Wrightson, Neal Adams, John Romita, and Jim Aparo. I was always drawn to them. Other greats like Jack Kirby, Curt Swan, Dick Dillon, Gil Kane, John and Sal Buscema, I wouldn’t appreciate until a little bit later.
As much as I loved the old Marvel toons, I’d have to go with Super Friends, which were more vibrant by comparison. However, today I still enjoy the old Captain America episodes as they hold up better somehow for me when compared to the other Marvel toons.
Absolutely! All of those old 60’s-70’s Hanna/Barbera toons were just fantastic stuff! Corny by today’s standards, but still fun! Those guys were and are the ultimate cartoon pimps and I was suckling at their proverbial animated teat for most of my childhood and was it sweet, sweet milk!
May The Force Be With You…so long as there are no midi-chlorians to speak of!
Not really. I have yet to see the new movie, but I did enjoy the original series growing up and "Wrath of Khan" because who didn’t want to run around bare-chested like Ricardo Montalban! It’s kind of cool to see something like that "connect" with so many people on a large-scale, even those who were never fans before, and I’m sure it is especially a great feeling for the fans who were told that their beloved franchise was D.O.A. So, I can dig it!
Superman, Batman, Spider-Man, Dick Grayson (Robin/Nightwing), Barry Allen (Flash), Hal Jordan (Green Lantern), Thing, Captain America, Ultra Boy, Timber Wolf and Jack Knight (Starman). Oh, and Vibe! He gave me the confidence to rock it B-Boy style!!!
I have always been a lifelong fan of both. However in recent years, depending on the output and my interest, I might tend to favor one company over the other. A year ago I would have definitely said Marvel, but I think I’m back to being about equal with favoring the Big Two.
I used to grab just about a little of everything back in my free-wheelin’ comics spending days, because I love all types of comics, but sadly I’ve had to reduce my comics’ spending. That said, I still trade-wait on books like Invincible, Hellboy, Walking Dead and Phonogram.
From DC….Green Lantern and Green Lantern Corps, The Bat-Books and Superman-Books (which have really strengthened of late), Secret Six, R.E.B.E.L.S., Flash: Rebirth and Jonah Hex. From Marvel…Amazing Spider-Man, Captain America, Hulk, Incredible Hercules, Invincible Iron Man, Wolverine: Weapon X & Origins, FF, Daredevil, Secret Warriors, Ghost Rider and Captain Britain and MI-13 (which has sadly just been cancelled). For the independents, it’s currently just the aforementioned titles, plus Incognito & Kick-Ass (since they’re from Marvel’s Icon).
I tend to follow writers across their various projects. Back in my art-days it was a little bit more of the opposite.
I loved it in all of it’s Silver-Age acid trip, channel-zapping glory.
Once upon a time it meant that I was going to rip my hair out over collecting all of the tie-ins for said event, but now the term "event fatigue" means to me that the constant status quo changing events that pop up tend to take away from the natural course of evolution and story growth within the titles themselves. I sometimes feel like I can’t fully enjoy a book because I know that the next "event" will most likely change and dictate the terms of what I’m reading anyway.
I’m really enjoying the series. Granted, the Legion have been getting a little bit overshadowed by the two big "returns" they’ve had in the last two issues, but overall I really appreciate that Geoff Johns can weave story of this magnitude while still honoring, not one, but three Legions from DC’s long history. And I’ve never seen the Legion look so good in such a long time with George Perez’s pencils. I can’t wait to see where they go next with the team within the pages of Adventure Comics. Overall, it’s been really great seeing the original Pre-Crisis in action again! Since their return I’ve been able to stop drinking in the dark while wearing my Matter-Eater Lad costume.
I think it could be due to a variety of reasons. As comic readers, who have been sticking with it for awhile, get older they may become more selective with what they purchase. The economy and rise in cover prices I’m sure has an effect. Also I think that a lot of the younger generation, potential new readers, are not getting into comics because they don’t have access to comics as say you or I did back in the day (plus competing forms of entertainment) and not a lot of parents even think to go to a comic shop or take the time to determine what’s appropriate for their age.
I think that comic book evolution should always occur and I hope to see it reach a level in format that transcends it’s current digital beginnings, but I prefer being able to hold a comic in my hand and not read off of a screen. I’d also rather own my collection and not rent one each year. Having said that, I did enjoy the Marvel DVD-ROM collections that GIT, Inc. had put out before Marvel launched their digital initiative. They’ve also released some Archie sets which are quite nice.
Before that I had dropped down severely in my collecting due to lifestyle changes, but the $3.99 cover charge is a blow I can’t take these days. Pretty much anything that’s $3.99 will have to be trade-waited. I’m picking up a couple of more Hulk issues and Weapon X, but they too will most likely be trade-waited.
As much as I love FCBD, is it smart to mainly hold them in comic shops and advertise on comic-based websites when the people who don’t read or collect them are unaware? What about supermarkets, malls, or movie theaters? I think there needs to be more accessibility and advertising of comics to the general public again. Marvel ran their "Embrace Change" Secret Invasion ad on TV, but it was on ESPN 2 during a Minor League Baseball game! What about creating brief commercials (which they had for their G.I. Joe comics in the 80's) that could be played during their own Marvel cartoons?
Once upon a time I thought it did, and it does to a degree, but as these decades old characters continue to be published it can become harder to keep track of it all and applying it at all times I feel restricts future story potential and character growth for these characters. I view it on a case by case basis, but overall a comic that shows a kind of neglect in paying attention to continuity details from time-to-time doesn’t affect me all that much.
Absolutely! When I was younger I wanted to enter into the art-side of things, but that fell through the wayside after the death of my father.
I’ve been writing various things for years now, nothing you’ve seen or read, mostly stories and screenplays for filmmaker friends. I would very much like to be writing my own comic as well as for the Big Two.
Right now, I’d like to pair up with the right kind of artist online and see if we can get something accomplished. Seeing that’s how it’s the best way to be viewed as a writer by the comic publishing companies.
Artists, writers…use the internet to your advantage! There are so many ways to research and utilize resources to increase your chances for making the comics that you want to make and/or break into something bigger. Don’t be afraid to take a chance!
If I have to pick one (and that’s very hard) but I’d have to go with New Teen Tiatns #38, "Who Is Donna Troy?" Marv Wolfman & George Perez brilliantly tell a tale that doesn’t involve costumed characters and epic battles, but a smaller story about the lengths one person would go to to help give back his closest friend’s past and identity. A very heartfelt and touching story which taught me at a young age that comics are one of the greatest forms of storytelling because you can do so much in these little panels to make people feel, make them care.
Where else can you go to that married the written word to dynamic visuals in such a way that unleashes your imagination? There are so many wonderful comics, in so many wonderful genres, and it’s just as valid as anything else consumed by a society that craves storytelling.
Tuesday, May 5, 2009
Aris Asks Adrian Barrios

Thanks Aris! But I don’t know about the “amazing” part, I started having an interest with art since I was very little, I always used to copy my dad’s illustrations, drawings and paintings and pretend that I was him, I used to always get in trouble for using his art supplies and selling his art in school , but when I was around 12 I completely stopped my art and started getting into music when one of my cousin told me that I will get more girls if I was in the band, I listened to him but didn’t really get me anywhere so I started drawing again when I was around 18
Hmmm…It’s funny because there are so many amazing artists I admire and get inspiration from, I try so hard to get influenced by them but they are just so amazing that I can’t even see it in my art, I’m mostly into European artists like Juano Guarnido, Claire Wendling, Messimiliano Frezzato, Alfonzo Aspiri, Milo Minara, Moebius, just to name a few, and of course, Frank Frazetta, Ottomo Katsuhiro, Mashume Shirow, Glenn Keane, Rudy Nebres, Alex Nino, Syd Mead, Hal Santiago and my dad Francis Von Barrios
I didn’t got to college for art, but I do think that I had a formal training, I had a mentor when I was in the Philippines, Hal Santiago, same as my father’s mentor, then I also had my father trained me in the field of animation/storyboards/layout
Absolutely, it’s definitely a big help to have formal training on anything, but there are people out there are just born kicking ass! Like you Aris!
I used to. I still buy them just to look at the art now.

There are lots of them out there, Alex Ross, Joe Madureira, Mike Mignola, Eric Canete, James Jean, Adam Hughes…
Hell yeah! Wolverine!!!
Referral from my dad
I guess it’s all in their style, there are some comic book illustrators out there that has that animation style, minimal lines, no black shadows, simple silhouettes, very animation friendly, the best example I can think of is Cheeks amazing work.

Yeah, I’m surrounded with amazing artists here in the studio, the vibe is awesome and intense for me, keeping up with these bastards are pain in the ass! – I try my best but they are just beasts!
Front man of NYC based Heavy Rock band, I thought I’d give it another try, so far so good and what my cousin said is true. ;) You can check our site out here www.diabloroyale.net or our myspace www.myspace.com/diabloroyalerock
Why not and I guess so

In my case, it already did, I haven’t done any art on paper, I kind of regret it in a way but they have their own differences. But I’d love to get back on paper, replacing pen and paper completely? I don’t think so, people/fans/collectors are always gonna want originals
Yes, but if the product comes out better and faster, why not?
It depends on the page and style, I guess, I’ve never really timed my self. A page a day, I guess.
Everyone is jealous of your power; you’re the all mighty Aris! But I still think that I can out bench you!
Aris replies: (Big Deal I know for a fact you can't out bench Doug Mahnke!)
Don’t be lazy, draw, draw, draw and always be a student. Learn from anyone (I keep telling this to my self too)

Yes! – Networking is the key to meet the right people! Befriend all the cool artists you know, there will be a time you’ll ran into them and they may be able to hook you up with some gigs or anything, but also be genuine with them.
Join the X-MEN probably.
GOD.Oh you meant BEST human artist?Hard to say really, umm…I would go for Frank Frazetta
I do Character Design, I get character descriptions from the script and I design the concept and if the director approves it then I go to “clean up” (ink), then sometimes I have to do the “turn around” (5 different views, front, back, side, ¾ front, ¾ back), then action poses, then facial expressions, mouth chart. And I did some storyboards for a while too.
Why you wasting your time reading this?!?! Get back to the drawing board! PEACE!

Friday, May 1, 2009
Aris Asks Gerry Conway
I started writing and drawing my own comics when I was ten or eleven years old, soon after reading Fantastic Four No. 4, so I guess, yes, I always wanted to write comics.
Stan Lee and Gardner Fox were my earliest inspirations in comics; Robert Heinlein was a science fiction writer I admired from an early age.
3. You scripted one of the best known Spider-man stories, the Death of Gwen Stacy, what are you thoughts on that now looking back?
4. How do you feel about the recent Brand New Day event that reset Spidey continuity and "Mephisted" his marriage away?
Well, it sounds like they wrote themselves into a corner, by marrying Peter and Mary Jane, and had to get themselves out of it somehow. I expect one day we'll see the same thing happen with Superman. These things are bad ideas, generally. Robin never marries Marion; Tristan doesn't get Isolode; Romeo and Juliet don't live happily ever after. Romances in serial fiction should never reach the natural climax; when they do, they cease to be romances and become something else that may or may not be useful for a character.
Comics are a niche market in print, but a major cultural touchstone in other ways. The actual comic book has less and less relevance as such, but the creations the comics produce are more and more important, outside the actual publications.
I needed a secondary villain for a continuing storyline I was developing with the Jackal. I honestly thought he'd be a one-shot, throwaway character, patterned after some popular vigilante-style anti-heroes that were around at the time. In the writing, though, he became something more.
Nope.
I haven't seen any of the Punisher films. Don't want to salt the wound.
When I went over to DC after several years at Marvel, DC's publisher, Carmine Infantino, saw me as a "catch" and wanted to use me on a high profile project. He and Stan Lee had just agreed to the first cross-company project, and under the terms of their agreement, DC got to pick the writer and Marvel got to pick the artist. I was jazzed to get the assignment, as a fan and as a writer.
10. You created Firestorm too!! Wow, another long time fave of mine. How did you come up with the Nuclear man?
I wanted to create a superhero who was just an "ordinary" kid -- not a brain like Peter Parker, just a regular teen. I'd played around with flaming characters before ("Firelord" in Thor comes to mind) and wanted to do something similar. I also liked the idea of updating the Captain Marvel "Shazam" shtick -- and then there was the notion of giving Firestorm a secondary personality in Professor Stein, who'd comment on what Ronnie was trying to do, etc. Just wanted to have fun.
11. You have done a lot of writing work, how does writing for the small screen, novels, or big screen compare to your love of comics?
Well, I seem to have far more freedom to do what I want in comics than I ever had writing in film or television. Writing novels is also liberating, but it requires far more concentration and commitment than I seem capable of producing these days.
12. Fire and Ice too!, I loved that, I was a rabid Dungeons and Dragons nut, that's a cult hit, do you think it stands up today?
Haven't seen it in twenty years, so I have no idea. I wasn't that happy with the final product at the time, though.
My run on Spider-Man, my run on Batman and Detective, and my run on JLA.
I touch on some elements from that series, but this is intended as a straight-forward story, not a story about a story.
Yes.
Back at you!
Kieran Asks Aris!
Special guest interview by Kieran Beech
2. Right, when did you first pick up a comic?
Pro...Doug Mahnke or Cully Hamner. Inks by Mark Morales and colors by Kanilla Tripp.
Sunday, April 26, 2009
Aris Asks Todd Gross

1. When did you start reading comics?
I think my parents bought me comics when I was maybe around 4 (1972). Growing up, I read Amazing Spider-Man, Avengers, Captain America and Thor. I had a few DC comics but one of my favorite books was Batman: 30s – 70s. I think I wore that book out. Another was Jules Pfeiffer's The Great Comic Book Heroes.
2. Who are your favorite characters?
My favorite character is the Punisher. I own almost every comic book appearance he has ever made. Spider-Man is also a favorite. I have a special place in my heart for Batman.
3. are you a DC guy or Marvel Zombie?
Make Mine Marvel! :D
Seriously, I prefer Marvel because that is what I grew up with but I will read books from any company if project interests me.
4. any aspirations about being a comic creator?
Nah. I prefer reading comics
5. And who are your favorite creators?
My all-time favorite artist is John Romita, Sr. I also like Skottie Young, Sean Phillips, Esad Ribic and Steve McNiven. Carmine Di Giandomenico did some absolutlely brilliant work on Daredevil: Battlin’ Jack Murdock and Magneto: Testament. A very underrated artist.
When it comes to writers, I like Brian Michael Bendis, Mark Millar, Jason Aaron, Jonathan Hickman and Greg Pak. And of course, John Steele Layman.
6. Are the $3.99 comics signaling the end of the floppy?
It is signaling the end of me buying the floppy. I have been cutting back on books because of the higher price and only purchasing select $3.99 titles. As to the future, I think we are reaching a ceiling of what the majority of comic buyers will pay for 32 pages per month.
Given the current economic times and the near future, I can see people dropping floppies due to the high price. Now is the time for the companies to begin transitioning readers to a digital format.
7. Do you think it's inevitable that digital comics replace the floppy?
I think at some point in the not so distant future that digital comics will be the standard form. I think floppies will be used as promotional pieces, marketing giveaways and special prestige projects. Companies can still collect their online issues into trades. That said, I think digital comics still have to get some kinks out before they truly take over.
I think comics will evolve when they go online. Hyperlinks to back issues and character/plot information and animation. In 10+ years, digital comics will be very different beasts from their print ancestors.
8. What are the best comics your reading now?
Scalped, Criminal, Air, Incognito, Northlanders, Glamourpuss and a bunch of Marvel books
9. what do you think about the term "event fatigue"?
I’m tired of it! ;)
I understand why the Big 2 do events regularly but I would like to see a two year gap from the last issue of one event to the first issue of the next. I think it would give books plenty of time to explore changes and lay groundwork for the next one that doesn’t feel rushed.
10. Who would win in a fight John Layman or Archonis?
The viewing public.
11. Your predictions about Chew?
It will be discovered to be the cause of the swine flu outbreak and make cannibalism fashionable again. Everything balances out.

12. You pretty much start off all the new comic threads with a theme or gimmick at Millarworld, always very funny, how do you come up with those?
Sometimes I will see a picture that sets that just screams a particular idea. Other times, a last minute inspiration hits me. It gets harder and harder each week though some weeks, it all comes together in my head days before I post it.
13. Your votes in the MW-SFL (Super hero fantasy league) are horrible and obviously biased against DC characters why is that?
I go with who I think would win the fight. I look at each fight on its own merits. Some are very close and it doesn’t always go the Marvel way. Besides, all the other teams are better than yours! :P
14. Do you think at this point you can justify me ever sharing my home made Eggrolls with you?
I have been horribly abused by Layman. Pity me!
15. Do you frequent other comicbook related forums?
I have accounts at some other boards but I rarely go to them. I like Millarworld because it is not limited to just comics. There are times I think I post more in Current Affairs and the Pub than the Comic forum.
16. Do you use any comic related news sites like Comic Book Resources or Newsarama?
I used to go to Newsarama daily but when they changed their site, it put me off though I still visit it occasionally. I go Comic Book Resources daily.
17. Are you on Facebook just to find compromising pictures of comic fans to use for your comedic pleasure?
No, but I do take advantage of that. At Millarworld, we used to have threads of pictures where we would post pictures of ourselves and I mined the hell out of them. As I friended more Millarworlders on Facebook, the riper the fields became. And for the record, I have only a literal handful of pictures saved of Millarworlders. I get 99% of them from Facebook and Millarworld itself.
18. Barry is back as the Flash(one of many) what are your thoughts on that?
Barry was the Flash I knew growing up. When I got back into comics in the late 80s, Wally was the Flash. While I did pick up some stories with Wally and enjoyed them, he never really clicked with me. He wasn’t my Flash.
That said, I am still not convinced bringing back was the best idea though with Geof Johns behind it, I think it will turn out pretty good.
19. Do you care that the last part of Old Man Logan by Millar and McNiven are coming out after the issue of Wolverine it is supposed to be in front of number wise?
20. Do you think John Voulieris really gets all those girls?
I think when Johnny Vee to the modern Fonzie. All he has to do is walk into a room and the hot ladies run to him to inhale his musk.
21. Do you think Continuity matters any more, or are self contained Start, middle, finish comics are better?
I am not as obsessed about continuity as I used to unless it is something glaringly done with no explanation. As long as the story is good, that is all that should matter.
22. Do you think that American comics could survive mimicking the Manga model?
23. DC is trying something called Wednesday Comics, kind of like a Sunday comics format, have you heard of it? are you willing to give it a try?
I have heard about it but it doesn’t grab me. I will say I really admire DC for trying this and hope it is successful. I think the companies need to experiment with formats because they could open up great new avenues of storytelling. That is something that may help them to survive in print form as prestige projects once digital comics become the norm.
24. Who do you think has a better chance of becoming a mod at Millarworld forums, you or me?
Me, of course! I’m the better speller.
Todd is all over Facebook and chances are he is pilfering your photos to use when you least expect it.
Tuesday, April 21, 2009
Aris Asks Chris Eliopoulos

1. Where would the world be without the Greeks?
Without democracy amongst a million other things. :)
My editor at Marvel said he wanted me to come up with a book about Lockjaw and a bunch of other animals. I picked out which animals I wanted to use and got to work.
I think there were a few up at Marvel who wondered if I lost my mind, but enough thought it was fun and an interesting take of the Marvel U.
Lockjaw sets this book in motion and he and Frog Thor co-lead. I really went through the list of all the Marvel animals and picked out which ones I thought were cool or might play well off each other.

I can't say too much, but I will say that a character may die.
I just finished writing the framing sequences for the Marvel Assistant Editor's book and I still write and draw Franklin Richards: Son of a Genius 4 times a year.
I mostly read comic strips, never really read comic books except Richie Rich, Casper, etc. as a kid. Never got into the super hero books much.
Honestly, I have so little time, I don't really keep up on anything.
Usually I'll find stuff at the bookstores and buy collections. Also really enjoying webcomics now.
I tend to lean toward non-mainstrean (superhero) books. I like doing these fringe books, so I just keep trying to come up with new things in the Marvel U to play with.

I got an internship at Marvel in college, was hired when I graduated and one of my friends taught me how to letter. I had studied type and graphic design, so it seemed a natural fit. I moved into the lettering department and a few years later I went freelance and have been ever since.
All the fonts anyone uses on a computer were created using a font-creation program like Fontographer. I've made a large amount that look like hand lettering and sound effects. Me and the people who work for me use them to letter the Marvel comics you know and love.
Well, I created the fonts for myself and my team. Marvel has licensed a few of them, but I've had a very good relation with Marvel and they have always done well by me. So, I don't think I was worried much.
He loves the traditional way. It's his right as a creator to do what he wants on his book. Just like on my webcomic, I letter it by hand, draw in brush and ink and do my Marvel work on the computer. On my work, I can do what makes me happy and so does Erik. I think he just happens to really like the organic feel of hand lettering and, personally, I think it goes better with his art.

I've always wanted to do a daily strip and I've come close to syndication, but I felt that the opportunities in the newspaper market were drying up and I saw a lot of successful creators doing webcomics and felt that this may be the future of cartoons. So, I work on the idea, wrote it, drew it, got a webpage and started posting a strip every weekday. It's great in that the web cuts out the middleman--no syndicate, no editor, no distributor. Just you and your audience. Seems real pure.
Krazy Kat, Barnaby, Pogo, Peanuts, Bloom County and Calvin and Hobbs.
Move to the web. I have plans to do my own kids book and instead of going to publishers right away, I'm going to post to the web and when it's done, offer it to publishers. Web strips seems to be growing and improving. The cream is rising to the top and the really professional creators are gathering audiences. It's like being a part of the original astronaut corp. This is the ground floor.
A number of years ago, I pitched the idea to Marvel's publisher and it was rejected. I mentioned it to C.B. Cebulski a year later and they loved it and we got started on it. At first Franklin was a back up feature, but people seemed to like it enough to warrant a full comic and we've been going strong since.
Not really, but the goal of Franklin is not to go after the people who already read comics, but those who don't. It's designed to get children reading and parents having something they can read with them. We, as an industry, have to reach out to new markets to keep growing.

21. What are the greatest influences on your work over all?
Charles Schulz, Walt Kelly, Berkley Breathed, Bill Watterson, Erik Larsen.
It could happen--wait I write, draw and letter Franklin. Does that count?
Yup.
Anything is possible. If Marvel feels it's something they want to publish, it will be done.
Stop trying to break into Marvel or DC and create your own work. Use the web--it's much cheaper than paying for printing. When you're good enough, the Marvel's and DCs will be grabbing you.
Please check out more of Chris' strip at http://www.miserylovessherman.com/ it is constantly hilarious and make sure to pick up Lockjaw and the Pet Avengers9because it's AWESOME! :) out in May from Marvel Comic.
Sunday, April 19, 2009
Aris Asks Jamal Igle
About 1993, I guess. That's when I got my first regular assignment for a small publisher called Majestic entertainment
I recommend it actually. I was always told that you have to know the rules first in order to break them and i think that's true. With superhero comics especially, there is such a reliance on knowing anatomy, perspective, and observation. You can learn to draw comics on your own, which is what happened to me. However, learning how to draw properly first was the best thing I could do for myself as an artist.
It was an issue of Captain America, I couldn't tell you the number but It was drawn by Paul Neary.
Steve Rude and Dave Stevens.
I'll be on the book for a bit longer, there are some things being discussed but it's too early to discuss.
Artistically i think Supergirl is the best work I've done so far.
Depending on the detail anywhere between 4 and 12 hours
Yeah, i actually sectioned of a corner in the living room. With a 1 year old it's better for me to work at home so we have a babysitter during the day until 5 pm, I take over, feed the baby, give her a bath and put her to bed. I cook dinner for my wife and we relax for a bit. when Karine goes to bed I sometimes work during the night for a few hours. I try to spend as much time as possible with Karine and Catherine.
10. As a professional artist are you ever intimidated by other artists?
12. You have drawn a variety of characters over the last 10 to 15 years, which title has been the most challenging?
13. When you come on a title, do you actively try to tweak the character design or leave your own creative stamp on the character?
14. Who would win in a fight....Supergirl, Mary Marvel or Powergirl?
Oh that's a tough one, but I'd give the edge to Supergirl.
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15. What do you think can really be done editorially to reduce late comics? Can it be helped?
18. Will Blackest Night crossover into Supergirl?
19. I have read a recent interview regarding some of your thoughts on creator owned projects, cost aside, you have to some ideas, any chance you will get to those eventually?
20. Is Supergirl an all ages book?
Find out more about Jamal at his website and blog