Saturday, May 2, 2009
Comic Capsule Reviews 4/29/2009
The Cabal #1: I was really hoping for the magic of the Illuminati in this one shot. Unfortunately it was a waste of money. The character vignettes were a mixed bag. I enjoyed the Doom exploration in the first one(he isn't a nice man), the Namor story which was beautifully illustrated and the Loki/Doom short. The other didn't move me. What bothered me about this wasn't the quality, although to be honest it seems like a hastily thrown together anthology for a few extra Dark Reign bucks...what bothered me was that it was completely unessential to Dark Reign. There are no essential insights to the characters that we didn't already know about them or seemed immediately part of the Dark Reign story. 5 out of 10.
Wonder Woman #31: by far the best issue so far. Ares? No surprise there..but bearing gifts for an Amazon? And the Manazons take over the UN. Not sure I could ever see Achilles riding elephants..not very Greek. And I was hoping he would be more then an annoyance to Wonder Woman, she defeated him rather easily. Not being from this time shouldn't really matter in hand to hand combat. But we got some kick ass Wonder Woman moments. And a great revelation about Genocide..although that character has yet to live up to any promise. The art is great..to be honest I think Bernard Chang is better for the book then Lopresti. Chang somehow manages to capture something intangible that works on Wonder Woman stylistically while Lopresti seems to lack impact and dynamism. Chang does some nice big action, and some great dramatic scenes. I love his storytelling, and action..the scene with the missile was perfection. Certainly a better Wonder Woman then the previous issues. 7.5 out of 10.
Justice Society of America #26: Eaglesham is REEEEEAAALLLY going to be missed on this title. Beautiful art throughout. The opening splash of Courtney(Stargirl) getting off the school bus is beautifully rendered, as is the rest of the issue. Its almost mind boggling how Eaglesham crams so many characters in and manages to highlight the appropriate members, tell a great story and keep everything easy to read. Great expression, and character. Johns gives us a great send off, Courtney's birthday at home, with wonderful character insights, and drilling in that this book has not just been about heroes, but family. An ever growing family of characters, growing and contributing to the whole. Fantastic resonance and characterization. I'm sorry to see this team go, its been one of my fave books since the relaunch, but I'm curious to see what's next. 9 out of 10.
Superman #687: A solid read by Robinson, but largely a another set up issue. And unfortunately this is the weakest of the super-titles. It needs to move a little quicker because I am genuinely interested in all the elements. Zatara, Parasite wandering around, Guardian and the Sci-police, Tellus, Project 7734, Mon-el, Atlas and Irons...lots of meat, except its getting cold. Guedes is a wonderful, yet quirky artists. Nice expression and action. And I really love his back grounds..especially the sewers of Metropolis. But he is a victim of washed out colors..Mon-el's red isn't red enough. All in all not as good as I hoped. 7 of 10.
Green Lantern #40: Unfortunately this chapter in the race towards Blackest Night suffers from fill in art. Tan is an interesting study..alternately brilliant stylistically and inappropriately chaotic and unpolished.The art work looks unfinished and rushed which doesn't help Tan. And the storytelling is weak and unfocused. The inking is way too loose and page upon page looks tragically messy for a story so vitally important to the ongoing event. That being said there are flashes of brilliance like the last page image. The story is great, savage and brutal, but really more of the same as we are introduced to more Orange Lanterns and I am trying to figure out which one is "Agent Orange". Still its a solid read..and adds to the architecture of the Lantern mythos, which is always very cool. I did love the story and art in the Tales of Orange Lanterns, Albuquerque is amazing. That guy should be placed on Teen Titans pronto.7.5 out of 10.
Legion of Three Worlds #4: An event...that looks and feels like an event. I love it. But I have to get this out of the way. Conner and Bart are cool characters, nice to have them back, but they really are nothing but annoyances to Prime. I'm not sure why they are given primacy over other powerhouses on 3 teams of Legionaries? Ok, got that out. This an amazing action packed emotional roller coaster. The Legion loses Kinetix and Elementlad..but Sunboy is back. And the Timetrapper enters the fray personally as the Legion bring back Conner to add another emotionally relevant layer to the war with Prime. Great dialogue by Johns as he brings a host of great character moments, like the three Legion Founders and Supes talking to Time Trapper and Wildfire and Dawny. The "Substitute Legionnaire" taking a stand against Prime. And a great, unexpected reveal at the end. The art is amazing, I can't say it enough Perez is the master of these types of event comics. Dazzling amounts of characters in jaw dropping action. All brought in an amazingly well constructed, dramatic and coherent fashion. Guns blazing or standing around talking Perez nails every scene. 9 out of 10.
Friday, May 1, 2009
New Mutants #1 Preview (Newsarama)


Aris Asks Gerry Conway

I started writing and drawing my own comics when I was ten or eleven years old, soon after reading Fantastic Four No. 4, so I guess, yes, I always wanted to write comics.
Stan Lee and Gardner Fox were my earliest inspirations in comics; Robert Heinlein was a science fiction writer I admired from an early age.
3. You scripted one of the best known Spider-man stories, the Death of Gwen Stacy, what are you thoughts on that now looking back?
4. How do you feel about the recent Brand New Day event that reset Spidey continuity and "Mephisted" his marriage away?
Well, it sounds like they wrote themselves into a corner, by marrying Peter and Mary Jane, and had to get themselves out of it somehow. I expect one day we'll see the same thing happen with Superman. These things are bad ideas, generally. Robin never marries Marion; Tristan doesn't get Isolode; Romeo and Juliet don't live happily ever after. Romances in serial fiction should never reach the natural climax; when they do, they cease to be romances and become something else that may or may not be useful for a character.
Comics are a niche market in print, but a major cultural touchstone in other ways. The actual comic book has less and less relevance as such, but the creations the comics produce are more and more important, outside the actual publications.

I needed a secondary villain for a continuing storyline I was developing with the Jackal. I honestly thought he'd be a one-shot, throwaway character, patterned after some popular vigilante-style anti-heroes that were around at the time. In the writing, though, he became something more.
Nope.
I haven't seen any of the Punisher films. Don't want to salt the wound.
When I went over to DC after several years at Marvel, DC's publisher, Carmine Infantino, saw me as a "catch" and wanted to use me on a high profile project. He and Stan Lee had just agreed to the first cross-company project, and under the terms of their agreement, DC got to pick the writer and Marvel got to pick the artist. I was jazzed to get the assignment, as a fan and as a writer.

10. You created Firestorm too!! Wow, another long time fave of mine. How did you come up with the Nuclear man?
I wanted to create a superhero who was just an "ordinary" kid -- not a brain like Peter Parker, just a regular teen. I'd played around with flaming characters before ("Firelord" in Thor comes to mind) and wanted to do something similar. I also liked the idea of updating the Captain Marvel "Shazam" shtick -- and then there was the notion of giving Firestorm a secondary personality in Professor Stein, who'd comment on what Ronnie was trying to do, etc. Just wanted to have fun.
11. You have done a lot of writing work, how does writing for the small screen, novels, or big screen compare to your love of comics?
Well, I seem to have far more freedom to do what I want in comics than I ever had writing in film or television. Writing novels is also liberating, but it requires far more concentration and commitment than I seem capable of producing these days.
12. Fire and Ice too!, I loved that, I was a rabid Dungeons and Dragons nut, that's a cult hit, do you think it stands up today?
Haven't seen it in twenty years, so I have no idea. I wasn't that happy with the final product at the time, though.
My run on Spider-Man, my run on Batman and Detective, and my run on JLA.

I touch on some elements from that series, but this is intended as a straight-forward story, not a story about a story.
Yes.


Back at you!
Kieran Asks Aris!

Special guest interview by Kieran Beech
2. Right, when did you first pick up a comic?


Pro...Doug Mahnke or Cully Hamner. Inks by Mark Morales and colors by Kanilla Tripp.




Thursday, April 30, 2009
Chew production art up at CBR!
Take a look, it is tremendous. I am looking forward to this book big time.
http://www.comicbookresources.com/?page=article&id=21021
Wednesday, April 29, 2009
Retro Review: PITT #1 (Image comics 1993)

I definately recommend every one who reads comics pick up his Hulk run with Peter David. It was excellent.
Monday, April 27, 2009
Mondo Marvel by Paul Brain McCoy @ comicsbulletin.com
It's a labor of love..really good stuff for fans of comic history in general.
http://www.comicsbulletin.com/soapbox/124034662387693.htm
Good job Paul. Awesome idea and execution.
Sunday, April 26, 2009
Aris Asks Todd Gross

1. When did you start reading comics?
I think my parents bought me comics when I was maybe around 4 (1972). Growing up, I read Amazing Spider-Man, Avengers, Captain America and Thor. I had a few DC comics but one of my favorite books was Batman: 30s – 70s. I think I wore that book out. Another was Jules Pfeiffer's The Great Comic Book Heroes.
2. Who are your favorite characters?
My favorite character is the Punisher. I own almost every comic book appearance he has ever made. Spider-Man is also a favorite. I have a special place in my heart for Batman.
3. are you a DC guy or Marvel Zombie?
Make Mine Marvel! :D
Seriously, I prefer Marvel because that is what I grew up with but I will read books from any company if project interests me.
4. any aspirations about being a comic creator?
Nah. I prefer reading comics
5. And who are your favorite creators?
My all-time favorite artist is John Romita, Sr. I also like Skottie Young, Sean Phillips, Esad Ribic and Steve McNiven. Carmine Di Giandomenico did some absolutlely brilliant work on Daredevil: Battlin’ Jack Murdock and Magneto: Testament. A very underrated artist.
When it comes to writers, I like Brian Michael Bendis, Mark Millar, Jason Aaron, Jonathan Hickman and Greg Pak. And of course, John Steele Layman.
6. Are the $3.99 comics signaling the end of the floppy?
It is signaling the end of me buying the floppy. I have been cutting back on books because of the higher price and only purchasing select $3.99 titles. As to the future, I think we are reaching a ceiling of what the majority of comic buyers will pay for 32 pages per month.
Given the current economic times and the near future, I can see people dropping floppies due to the high price. Now is the time for the companies to begin transitioning readers to a digital format.
7. Do you think it's inevitable that digital comics replace the floppy?
I think at some point in the not so distant future that digital comics will be the standard form. I think floppies will be used as promotional pieces, marketing giveaways and special prestige projects. Companies can still collect their online issues into trades. That said, I think digital comics still have to get some kinks out before they truly take over.
I think comics will evolve when they go online. Hyperlinks to back issues and character/plot information and animation. In 10+ years, digital comics will be very different beasts from their print ancestors.
8. What are the best comics your reading now?
Scalped, Criminal, Air, Incognito, Northlanders, Glamourpuss and a bunch of Marvel books
9. what do you think about the term "event fatigue"?
I’m tired of it! ;)
I understand why the Big 2 do events regularly but I would like to see a two year gap from the last issue of one event to the first issue of the next. I think it would give books plenty of time to explore changes and lay groundwork for the next one that doesn’t feel rushed.
10. Who would win in a fight John Layman or Archonis?
The viewing public.
11. Your predictions about Chew?
It will be discovered to be the cause of the swine flu outbreak and make cannibalism fashionable again. Everything balances out.

12. You pretty much start off all the new comic threads with a theme or gimmick at Millarworld, always very funny, how do you come up with those?
Sometimes I will see a picture that sets that just screams a particular idea. Other times, a last minute inspiration hits me. It gets harder and harder each week though some weeks, it all comes together in my head days before I post it.
13. Your votes in the MW-SFL (Super hero fantasy league) are horrible and obviously biased against DC characters why is that?
I go with who I think would win the fight. I look at each fight on its own merits. Some are very close and it doesn’t always go the Marvel way. Besides, all the other teams are better than yours! :P
14. Do you think at this point you can justify me ever sharing my home made Eggrolls with you?
I have been horribly abused by Layman. Pity me!
15. Do you frequent other comicbook related forums?
I have accounts at some other boards but I rarely go to them. I like Millarworld because it is not limited to just comics. There are times I think I post more in Current Affairs and the Pub than the Comic forum.
16. Do you use any comic related news sites like Comic Book Resources or Newsarama?
I used to go to Newsarama daily but when they changed their site, it put me off though I still visit it occasionally. I go Comic Book Resources daily.
17. Are you on Facebook just to find compromising pictures of comic fans to use for your comedic pleasure?
No, but I do take advantage of that. At Millarworld, we used to have threads of pictures where we would post pictures of ourselves and I mined the hell out of them. As I friended more Millarworlders on Facebook, the riper the fields became. And for the record, I have only a literal handful of pictures saved of Millarworlders. I get 99% of them from Facebook and Millarworld itself.
18. Barry is back as the Flash(one of many) what are your thoughts on that?
Barry was the Flash I knew growing up. When I got back into comics in the late 80s, Wally was the Flash. While I did pick up some stories with Wally and enjoyed them, he never really clicked with me. He wasn’t my Flash.
That said, I am still not convinced bringing back was the best idea though with Geof Johns behind it, I think it will turn out pretty good.
19. Do you care that the last part of Old Man Logan by Millar and McNiven are coming out after the issue of Wolverine it is supposed to be in front of number wise?
20. Do you think John Voulieris really gets all those girls?
I think when Johnny Vee to the modern Fonzie. All he has to do is walk into a room and the hot ladies run to him to inhale his musk.
21. Do you think Continuity matters any more, or are self contained Start, middle, finish comics are better?
I am not as obsessed about continuity as I used to unless it is something glaringly done with no explanation. As long as the story is good, that is all that should matter.
22. Do you think that American comics could survive mimicking the Manga model?
23. DC is trying something called Wednesday Comics, kind of like a Sunday comics format, have you heard of it? are you willing to give it a try?
I have heard about it but it doesn’t grab me. I will say I really admire DC for trying this and hope it is successful. I think the companies need to experiment with formats because they could open up great new avenues of storytelling. That is something that may help them to survive in print form as prestige projects once digital comics become the norm.
24. Who do you think has a better chance of becoming a mod at Millarworld forums, you or me?
Me, of course! I’m the better speller.
Todd is all over Facebook and chances are he is pilfering your photos to use when you least expect it.
Saturday, April 25, 2009
Comics Capsule Reviews 4/22/2009
Supergirl #40: someone give Gates and Igle a gold star. Excellent issue. Balls out action and intrigue. Reactron is a mailto:d!@. Great fight between the two as Supergirl unravels the mystery of Superwoman. Twists, turns and drama galore. Next issue is gonna really be tremendous. I hope Supergirl stops Superwoman from running around killing people. The art is great. Igle is really a master of the craft of comic art. Great action and super powered fisticuffs in Metropolis. Great character work. And really nice backgrounds and layouts. Really fantastic storytelling. The coloring not so much. It is amateurish and a digital mess of highlights and fades. The book should be brighter. Its an unnecessary distraction from the great art Igle is presenting. Still the book is a great read every month and the certainly the best Supergirl I have ever read. 8 out of 10
Hulk #11: FUN. Balls out fun. I just decided to go for the ride. The classic Defenders line up snatched out of time by the Elders to take on their opposite the Offenders. And it is awesome fun indeed. Kudos to Loeb for the Coney Island Cyclone comic thrill ride. Great faces offs and turns as Galactus, Dommamu, and the Psycho-Man add a twist to the main event. Great art by the modern master McGinness. Thick, stylized lines and great expression and action. inked perfectly by Vines and colored beautifully by Guru EFX(that's a studio I guess?). Its a beautiful fun flurry of action and big time cartoon drama. A+. 9 out of 10
Amazing Spiderman #592: Wow. McKone is an amazing Spider-artist. I just love it. He was always good but since he joined the Spidey cabal after BND he has been at another level. he nails the costume and movement perfectly. Nice detailed backgrounds, fluid transitions and layouts. Great characterization and expression..which he nails throughout this issue...especially the naughty last page. Shame on you Mark Waid. Waid delivers a tremendous issue full for rich characters and dialogue. I love it. a great issue, kick yourself for staying away from the best Spidey in 15 years. 8.5 out of 10.
Mighty Avengers #25: Way too silly. The writing is down right silly. I think outside of a few moments most of the characters I have been reading for close to 30 years sound nothing like they are supposed to. Pietro like a high school hot head? Pym was completely off. The dialogue was terrible, especially the childish nature of the CABAL's interaction. These are the Earth's power elite of villains? And the thing with Loki/Wanda? Orchestrating things is horrible. It has never been in her nature to lead or plot. Its a complete departure from her characters. Other then that the issue managed to be fun and full of action. The art was definitely an improvement. I actually like Sandoval's version of the Pym "Wasp" outfit, and he really brought some serious dynamic energy to the action. Even the static talking heads stuff was great. I think there are a few tweaks needed. One that's a horrible design for Quicksilver. It sucks. What's with the "darker" green half moon and the awkward silver bolt? Someone needs to fix that ASAP as well as remember what his hair is supposed to look like. Second...the inking. The lines where very week and sometimes incomplete. Thinker outlines would have really made Sandoval's figures pop off the page. The major problem i have with the book...it doesn't feel Mighty any more. 6 out of 10.
New Avengers #52: Ok. Aside from that NOT being the Son-of-Satan...Bendis delivered another kick-ass issue of New avengers. I have to admit the dialogue is wonderful. Fun, character driven..clever. The bit with Clint and Bucky getting Spidey on the Quinjet was brilliant comic banter. You get all that fun and a really solid bit of action as Strange tells of his encounter with the Hood in smalltown New Jersey. Great stuff...and I loved the few pages of the Hood with Madame Masque (she has got to be super hot! LOL). This story is really building for me, a face of with Dormammu...these guys are gonna need some serious fire power. The art was very good, great transition from the powerfully stylized Bachalo to the loose line work of Tan. Both do an amazing job here...although I will say Tan much have been rushed. He can be a little messy, but some of his work here is more messy then usual. Even with that that...the entire issue is dynamic. great job guys. 8.5 out of 10
Incredible Hercules #128: Oh i so enjoy this comic. I will start with the art. Clean, open lined brilliance. This Dietrich Smith is new to me, but he can draw a comic. Great action and expression. Incredible layouts and dynamism. Good detail. This was a wonderful super fight handled like a true pro. Kudos to Marvel for adding this guy to the Herc line up. He is amazing. Pak and Van Lente deliver big. the Olympus group vs the (dark) Avengers vs Herc and friends. Fun and clever. Great dialogue and a hell of a last page. Heh. Very funny. But what i loved is Herc. Tossing around the big yellow pretty boy Sentry like a ragdoll. Awesome. This comic remains one of the pieces of joy in my comic stack every week. I really recommend it. Clever, fun and action packed, I hope it never ends. 9 out of 10
Thor #601: as much as I love it. It lacks something without Coipel on art chores. This is his book. Not that Djurdjevic is bad, his previous issues were excellent...but this is a rough, maybe rushed for him. Things look awkward and off.Still he delivers good storytelling and drama. I certainly like his Doom. JMS brings us another powerful chapter in this mythic version of the Thor series. Its funny Hercules is pure comics with myth thrown in for flavor, and this is mythic storytelling using comic. there is a difference, not sure I am explaining it. But both are great. but different. I love the dialogue between Doom, Baldur and Loki. And Loki going to Blake. the best part...I believe the Executioner will be back. 8 out of 10.
Tuesday, April 21, 2009
Aris Asks Chris Eliopoulos

1. Where would the world be without the Greeks?
Without democracy amongst a million other things. :)
My editor at Marvel said he wanted me to come up with a book about Lockjaw and a bunch of other animals. I picked out which animals I wanted to use and got to work.
I think there were a few up at Marvel who wondered if I lost my mind, but enough thought it was fun and an interesting take of the Marvel U.
Lockjaw sets this book in motion and he and Frog Thor co-lead. I really went through the list of all the Marvel animals and picked out which ones I thought were cool or might play well off each other.

I can't say too much, but I will say that a character may die.
I just finished writing the framing sequences for the Marvel Assistant Editor's book and I still write and draw Franklin Richards: Son of a Genius 4 times a year.
I mostly read comic strips, never really read comic books except Richie Rich, Casper, etc. as a kid. Never got into the super hero books much.
Honestly, I have so little time, I don't really keep up on anything.
Usually I'll find stuff at the bookstores and buy collections. Also really enjoying webcomics now.
I tend to lean toward non-mainstrean (superhero) books. I like doing these fringe books, so I just keep trying to come up with new things in the Marvel U to play with.

I got an internship at Marvel in college, was hired when I graduated and one of my friends taught me how to letter. I had studied type and graphic design, so it seemed a natural fit. I moved into the lettering department and a few years later I went freelance and have been ever since.
All the fonts anyone uses on a computer were created using a font-creation program like Fontographer. I've made a large amount that look like hand lettering and sound effects. Me and the people who work for me use them to letter the Marvel comics you know and love.
Well, I created the fonts for myself and my team. Marvel has licensed a few of them, but I've had a very good relation with Marvel and they have always done well by me. So, I don't think I was worried much.
He loves the traditional way. It's his right as a creator to do what he wants on his book. Just like on my webcomic, I letter it by hand, draw in brush and ink and do my Marvel work on the computer. On my work, I can do what makes me happy and so does Erik. I think he just happens to really like the organic feel of hand lettering and, personally, I think it goes better with his art.

I've always wanted to do a daily strip and I've come close to syndication, but I felt that the opportunities in the newspaper market were drying up and I saw a lot of successful creators doing webcomics and felt that this may be the future of cartoons. So, I work on the idea, wrote it, drew it, got a webpage and started posting a strip every weekday. It's great in that the web cuts out the middleman--no syndicate, no editor, no distributor. Just you and your audience. Seems real pure.
Krazy Kat, Barnaby, Pogo, Peanuts, Bloom County and Calvin and Hobbs.
Move to the web. I have plans to do my own kids book and instead of going to publishers right away, I'm going to post to the web and when it's done, offer it to publishers. Web strips seems to be growing and improving. The cream is rising to the top and the really professional creators are gathering audiences. It's like being a part of the original astronaut corp. This is the ground floor.
A number of years ago, I pitched the idea to Marvel's publisher and it was rejected. I mentioned it to C.B. Cebulski a year later and they loved it and we got started on it. At first Franklin was a back up feature, but people seemed to like it enough to warrant a full comic and we've been going strong since.
Not really, but the goal of Franklin is not to go after the people who already read comics, but those who don't. It's designed to get children reading and parents having something they can read with them. We, as an industry, have to reach out to new markets to keep growing.

21. What are the greatest influences on your work over all?
Charles Schulz, Walt Kelly, Berkley Breathed, Bill Watterson, Erik Larsen.
It could happen--wait I write, draw and letter Franklin. Does that count?
Yup.
Anything is possible. If Marvel feels it's something they want to publish, it will be done.
Stop trying to break into Marvel or DC and create your own work. Use the web--it's much cheaper than paying for printing. When you're good enough, the Marvel's and DCs will be grabbing you.
Please check out more of Chris' strip at http://www.miserylovessherman.com/ it is constantly hilarious and make sure to pick up Lockjaw and the Pet Avengers9because it's AWESOME! :) out in May from Marvel Comic.